{"id":20132,"date":"2022-10-16T19:48:50","date_gmt":"2022-10-16T17:48:50","guid":{"rendered":"https:\/\/nnt.nl\/?post_type=targetgroup&#038;p=20132"},"modified":"2022-10-18T19:08:42","modified_gmt":"2022-10-18T17:08:42","slug":"invites-postcards","status":"publish","type":"targetgroup","link":"https:\/\/nnt.nite.nl\/en\/?targetgroup=invites-postcards","title":{"rendered":"Postcards: the interview"},"content":{"rendered":"<p>Club Guy &amp; Roni Invites.. Lunatics and Poets. <span class=\"TextRun SCXW173876685 BCX4\" lang=\"EN-US\" xml:lang=\"EN-US\" data-contrast=\"none\"><span class=\"NormalTextRun SCXW173876685 BCX4\">Anna Jacobs <\/span><span class=\"NormalTextRun SCXW173876685 BCX4\">and <\/span><span class=\"NormalTextRun SCXW173876685 BCX4\">Hanna van der Meer <\/span><span class=\"NormalTextRun SCXW173876685 BCX4\">met at the <\/span><span class=\"NormalTextRun SCXW173876685 BCX4\">Rambert School of Ballet and Contemporary Dance in Lond<\/span><span class=\"NormalTextRun SCXW173876685 BCX4\">o<\/span><span class=\"NormalTextRun SCXW173876685 BCX4\">n<\/span><span class=\"NormalTextRun SCXW173876685 BCX4\">, <\/span><span class=\"NormalTextRun SCXW173876685 BCX4\">after studying at the <\/span><span class=\"SpellingError SCXW173876685 BCX4\">Nationale<\/span> <span class=\"SpellingError SCXW173876685 BCX4\">Balletacademie<\/span> <span class=\"NormalTextRun SCXW173876685 BCX4\">and <\/span><span class=\"SpellingError SCXW173876685 BCX4\">ArtEZ<\/span> <span class=\"NormalTextRun SCXW173876685 BCX4\">respectively<\/span><span class=\"NormalTextRun SCXW173876685 BCX4\">.\u00a0<\/span><\/span><span class=\"EOP SCXW173876685 BCX4\" data-ccp-props=\"{}\">\u00a0<\/span><\/p>\n<p><!--more--><\/p>\n<p><strong><span class=\"TextRun SCXW116285726 BCX4\" lang=\"EN-US\" xml:lang=\"EN-US\" data-contrast=\"none\"><span class=\"NormalTextRun SCXW116285726 BCX4\">Back in the Netherlands, they <\/span><span class=\"NormalTextRun SCXW116285726 BCX4\">expanded their horizons <\/span><span class=\"NormalTextRun SCXW116285726 BCX4\">w<\/span><span class=\"NormalTextRun SCXW116285726 BCX4\">ith a master<\/span><span class=\"NormalTextRun SCXW116285726 BCX4\">\u2019<\/span><span class=\"NormalTextRun SCXW116285726 BCX4\">s in critical fashion practices <\/span><span class=\"NormalTextRun SCXW116285726 BCX4\">at <\/span><span class=\"SpellingError SCXW116285726 BCX4\">ArtEZ<\/span><span class=\"NormalTextRun SCXW116285726 BCX4\"> and a <\/span><span class=\"NormalTextRun SCXW116285726 BCX4\">course in fashion design at <\/span><span class=\"NormalTextRun SCXW116285726 BCX4\">Academie Artemis <\/span><span class=\"NormalTextRun SCXW116285726 BCX4\">in Amsterdam. Since 2017, they have <\/span><span class=\"NormalTextRun SCXW116285726 BCX4\">worked <\/span><span class=\"NormalTextRun SCXW116285726 BCX4\">together under the name <\/span><span class=\"NormalTextRun SCXW116285726 BCX4\">L<\/span><span class=\"NormalTextRun SCXW116285726 BCX4\">unatics and <\/span><span class=\"NormalTextRun SCXW116285726 BCX4\">P<\/span><span class=\"NormalTextRun SCXW116285726 BCX4\">oets.<\/span><span class=\"NormalTextRun SCXW116285726 BCX4\"> Their <\/span><span class=\"NormalTextRun SCXW116285726 BCX4\">oeuvre <\/span><span class=\"NormalTextRun SCXW116285726 BCX4\">consists of crossovers combining <\/span><span class=\"NormalTextRun SCXW116285726 BCX4\">movement, materiality, <\/span><span class=\"NormalTextRun SCXW116285726 BCX4\">and image. Apart from theatre, <\/span><span class=\"NormalTextRun SCXW116285726 BCX4\">they also make short films and installations.<\/span><span class=\"NormalTextRun SCXW116285726 BCX4\"> The<\/span><span class=\"NormalTextRun SCXW116285726 BCX4\">ir<\/span><span class=\"NormalTextRun SCXW116285726 BCX4\"> production <\/span><span class=\"NormalTextRun SCXW116285726 BCX4\">for Club Invites, <\/span><\/span><em><span class=\"TextRun SCXW116285726 BCX4\" lang=\"EN-US\" xml:lang=\"EN-US\" data-contrast=\"none\"><span class=\"NormalTextRun SCXW116285726 BCX4\">P<\/span><span class=\"NormalTextRun SCXW116285726 BCX4\">ostcards from a better place<\/span><\/span><\/em><span class=\"TextRun SCXW116285726 BCX4\" lang=\"EN-US\" xml:lang=\"EN-US\" data-contrast=\"none\"><span class=\"NormalTextRun SCXW116285726 BCX4\">, explores the darker side of life.<\/span><\/span><span class=\"EOP SCXW116285726 BCX4\" data-ccp-props=\"{}\">\u00a0<\/span><\/strong><\/p>\n<p><b><span data-contrast=\"none\">Tell us about your way of working together. What makes you strong as a duo?<\/span><\/b><span data-ccp-props=\"{}\"><br \/>\n<\/span><span data-contrast=\"none\">We both want to express the zeitgeist and are fascinated by how people relate to it. Our work seeks to bring viewers into a world that\u2019s both recognizable and alienating, and we\u2019re looking for vulnerabilities that most of us suppress in our daily lives. We choreograph theatrical images on themes such as angst, alienation, identity, love, transience, and human powerlessness.<\/span><\/p>\n<p><b><span data-contrast=\"none\">How did you come into contact with Club Guy &amp; Roni?<\/span><\/b><br \/>\n<span data-contrast=\"none\">We entered the 2018 Rotterdam International Duet Choreography Competition with a piece called <\/span><i><span data-contrast=\"none\">I am a poem, there is no way out.<\/span><\/i><span data-contrast=\"none\"> We won Club Guy &amp; Roni\u2019s production prize, which involved doing two weeks\u2019 research with their junior company, the <a href=\"https:\/\/nite.nl\/en\/pdc\/\">Poetic Disasters Club<\/a>.<\/span><span data-ccp-props=\"{}\">\u00a0<\/span><\/p>\n<p><span data-contrast=\"none\">Then, during lockdown, we made <\/span><i><span data-contrast=\"none\">The people look like flowers at last<\/span><\/i><span data-contrast=\"none\"> for the digital <a href=\"http:\/\/nitehotel.nl\">NITE Hotel<\/a>. Our interdisciplinary approach is a good fit with the Club\u2019s, and it\u2019s great to work in such a professional organization. It\u2019s like a warm bath! We\u2019re used to always doing everything ourselves, from production to marketing, but now we\u2019re not under pressure from all these obligations and can concentrate wholly on the artistic process.<\/span><span data-ccp-props=\"{}\">\u00a0<\/span><\/p>\n<blockquote><p><span class=\"TextRun SCXW111246897 BCX4\" lang=\"EN-US\" xml:lang=\"EN-US\" data-contrast=\"none\"><span class=\"NormalTextRun SCXW111246897 BCX4\">\u201cWe\u2019re looking for vulnerabilities that most of us suppress in our daily lives.<\/span><span class=\"NormalTextRun SCXW111246897 BCX4\">\u201d<\/span><\/span><span class=\"EOP SCXW111246897 BCX4\" data-ccp-props=\"{}\">\u00a0<\/span><\/p><\/blockquote>\n<p><b><i><span data-contrast=\"none\">Postcards from a better<\/span><\/i><\/b> <b><i><span data-contrast=\"none\">place<\/span><\/i><\/b><b><span data-contrast=\"none\"> is about the dark side of life. Where does this fascination come from, and how do you give form to something so abstract?\u00a0<\/span><\/b><span data-ccp-props=\"{}\"><br \/>\n<\/span><span data-contrast=\"none\">Everyone has dark thoughts and emotions. Our inner darkness is a large part of who we are, but we don\u2019t often talk about it: it\u2019s always a bit hidden, in the shadows. We examine the darker side of life both on an intimate individual level, and a world level. Where do dark thoughts and emotions come from, and under what circumstances do they surface?<\/span><span data-ccp-props=\"{}\">\u00a0<\/span><\/p>\n<p><span data-contrast=\"none\">The set refers to rooms in which emotionally charged moments occur in an almost filmic way, and in which the inner and outer worlds begin darkly overlapping. We need light to do a performance about darkness. Light and dark can\u2019t exist without each other: no dark without light, and vice versa.<\/span><span data-ccp-props=\"{}\">\u00a0<\/span><\/p>\n<p><b><span data-contrast=\"none\">Do you have much contact with the other maker, Mohamed Yusuf Boss?<\/span><\/b><span data-ccp-props=\"{}\"><br \/>\n<\/span><span data-contrast=\"none\">Sure! It\u2019s actually a really special project. Our performances differ in terms of form and content, but there\u2019s also a lot of overlap. For example, we work with the same cast of five great dancers: Tanya, Tatiana, William, Ada, and Lin. They\u2019re all ex-PDC people, except Lin, who\u2019s from Norway.<\/span><span data-ccp-props=\"{}\">\u00a0<\/span><\/p>\n<p><span data-contrast=\"none\">We also share the crew: we have the same composer, lighting artist, and set designer. We alternate rehearsals, sometimes one week, sometimes two on one piece, on the same floor. We\u2019re always in contact during the changes: we discuss progress, and see bits of each other\u2019s processes. We hope to turn this into an interesting diptych.<\/span><span data-ccp-props=\"{}\">\u00a0<\/span><\/p>\n","protected":false},"featured_media":19877,"menu_order":0,"template":"","meta":{"footnotes":""},"domain":[],"class_list":["post-20132","targetgroup","type-targetgroup","status-publish","has-post-thumbnail","hentry"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO Premium plugin v20.7 (Yoast SEO v20.7) - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Postcards: the interview - Nite<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/nite.nl\/en\/?targetgroup=invites-postcards\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Postcards: the interview\" \/>\n<meta property=\"og:description\" content=\"Club Guy &amp; Roni Invites.. 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Lunatics and Poets. 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